{"id":4368,"date":"2018-11-12T07:47:35","date_gmt":"2018-11-11T22:47:35","guid":{"rendered":"https:\/\/junhomma.com\/?post_type=portfolio&#038;p=4368"},"modified":"2018-11-12T11:15:53","modified_gmt":"2018-11-12T02:15:53","slug":"piece-of-cake","status":"publish","type":"portfolio","link":"https:\/\/junhomma.com\/en\/portfolio\/piece-of-cake\/","title":{"rendered":"Unnamed Country"},"content":{"rendered":"<p class=\"p1\">Rain<span class=\"s1\">\u3000<\/span>\u2013<span class=\"s1\">\u3000<\/span>Kawauchi-Mura\/Fukushima<span class=\"Apple-converted-space\">\u00a0 <\/span>\/ 2015 \/300\u00d7200mm \/ photographs, collaged on a photograph \/<span class=\"Apple-converted-space\">\u00a0 <\/span>Unnamed Country\/TRAUMARIS SPACE<\/p>\n<p class=\"p1\">Fukushima, Ishinomaki, Seto Inland Sea. Ultra thin photographic sculpture where the same photograph was layered on the anonymous landscape taken there. It is a tracing such as rain and snow that emerges as an invisible layer. Rain and snow are natural phenomena that can occur anytime, anywhere. The scenery implies a different time axis that surely existed in the ancient times, or even a few days ago, and may exist from now on.<\/p>\n<p>&nbsp;<\/p>\n<p class=\"p1\">Rain<span class=\"s1\">\u3000<\/span>\u2013<span class=\"s1\">\u3000<\/span>Futaba-Chou\/Fukushima<span class=\"Apple-converted-space\">\u00a0 <\/span>\/ 2015 \/300\u00d7200mm \/ photographs, collaged on a photograph \/ TRAUMARIS SPACE<\/p>\n<p class=\"p1\">Rain<span class=\"s1\">\u3000<\/span>\u2013<span class=\"s1\">\u3000<\/span>Hon-Jima\/Kagawa<span class=\"Apple-converted-space\">\u00a0 <\/span>\/ 2015 \/300\u00d7200mm \/ photographs, collaged on a photograph \/ Unnamed Country\/ TRAUMARIS SPACE<\/p>\n<p class=\"p1\">Snow<span class=\"s1\">\u3000<\/span>\u2013<span class=\"s1\">\u3000<\/span>Inu-Jima\/Okayama<span class=\"Apple-converted-space\">\u00a0 <\/span>\/ 2015 \/300\u00d7200mm \/ photographs, collaged on a photograph<span class=\"Apple-converted-space\">\u00a0 <\/span>\/ Unnamed Country\/ TRAUMARIS SPACE<\/p>\n<p>&nbsp;<\/p>\n<p class=\"p1\"><span class=\"s3\">Unnamed Country \/ 2015\/ Stones, ink jet print on paper \/ <\/span>1600\u00d71000\u00d7h.100 mm \/ Unnamed Country\/ TRAUMARISU SPACE \/ Tokyo<\/p>\n<p class=\"p1\">A series of photo sculptures that collages photographs of stones themselves, on the surface of the real thing. What appears as a double image in stones collected from the river are another layer of stones that can not be seen. A photograph collaged on the surface of a stone cuts out a certain time of the object itself. It seems that nothing seems to change at first glance. This work is a photographic sculpture to simultaneously show different invisible time axes of past, present and future.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rain\u3000\u2013\u3000Kawauchi-Mura\/Fukushima\u00a0 \/ 2015 \/300\u00d7200mm \/ photographs, collaged on a photograph \/\u00a0 Unnamed Country\/TRAUMARIS SPACE Fukushima, Ishinomaki, Seto Inland Sea. Ultra thin photographic sculpture where the same photograph was layered on the anonymous landscape taken there. It is a tracing such as rain and snow that emerges as an invisible layer. Rain and snow are natural&hellip;<\/p>\n","protected":false},"author":1,"featured_media":3712,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_locale":"en_US","_original_post":"2119"},"portfolio_category":[40],"portfolio_tag":[],"_links":{"self":[{"href":"https:\/\/junhomma.com\/wp-json\/wp\/v2\/portfolio\/4368"}],"collection":[{"href":"https:\/\/junhomma.com\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/junhomma.com\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/junhomma.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/junhomma.com\/wp-json\/wp\/v2\/comments?post=4368"}],"version-history":[{"count":5,"href":"https:\/\/junhomma.com\/wp-json\/wp\/v2\/portfolio\/4368\/revisions"}],"predecessor-version":[{"id":4476,"href":"https:\/\/junhomma.com\/wp-json\/wp\/v2\/portfolio\/4368\/revisions\/4476"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/junhomma.com\/wp-json\/wp\/v2\/media\/3712"}],"wp:attachment":[{"href":"https:\/\/junhomma.com\/wp-json\/wp\/v2\/media?parent=4368"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/junhomma.com\/wp-json\/wp\/v2\/portfolio_category?post=4368"},{"taxonomy":"portfolio_tag","embeddable":true,"href":"https:\/\/junhomma.com\/wp-json\/wp\/v2\/portfolio_tag?post=4368"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}