{"id":3905,"date":"2018-09-04T18:56:43","date_gmt":"2018-09-04T09:56:43","guid":{"rendered":"https:\/\/junhomma.com\/?page_id=3905"},"modified":"2026-05-24T16:46:00","modified_gmt":"2026-05-24T07:46:00","slug":"cv","status":"publish","type":"page","link":"https:\/\/junhomma.com\/en\/cv\/","title":{"rendered":"CV"},"content":{"rendered":"<p><strong>[Artist Statement]<\/strong><\/p>\n<p>Jun Homma\u2019s work explores the relationship between visible and invisible elements that shape our perception of the world. Growing up in a suburban area near Tokyo during a period of rapid urban development, he witnessed landscapes constantly changing and leaving behind traces of memory and absence. These experiences became the starting point for his artistic practice.<br \/>\nHomma understands the world as composed of both visible forms and invisible structures\u2014time, memory, historical forces, and social conditions that cannot be directly represented but strongly shape reality. Through sculpture, installation, and photo-based works, he creates situations in which these invisible elements become perceptible.<br \/>\nSince the late 1990s, Homma has developed a number of interconnected series that investigate these themes from different perspectives. In works such as <em><strong>Uncertain Stories<\/strong><\/em>, everyday objects and fragments from different temporal and cultural contexts are combined within sculptural structures, allowing multiple layers of time to intersect. In the ongoing series <strong><em>Now and Things (Time Line )<\/em><\/strong>, images of landscapes and ordinary objects gradually disappear or transform, suggesting the unstable relationship between present experience, memory, and historical narrative.<br \/>\nAcross these series, Homma\u2019s practice examines how invisible forces\u2014time, history, and perception\u2014shape the images and meanings that emerge in our everyday surroundings.<\/p>\n<p><strong>Jun Homma<\/strong><br \/>\nBorn in 1967, Tokyo, Japan<br \/>\n1990 Graduated from Tama Art University&#8217;s Department of Three-Dimensional Design (BA)<br \/>\n1990\u20131992 Research Student, Department of Sculpture, Tama Art University<br \/>\n2019 Fellow of Overseas Study Program for Artists, Agency for Cultural Affairs, Government of Japan \/ Berlin, Germany<\/p>\n<p><strong>[Grants and Awards]<\/strong><br \/>\n2019 Grant, the Overseas Study Program for Artists, Agency for Cultural Affairs,<br \/>\nGovernment of Japan 2019 \u2013 GlogauAIR \/ Berlin, Germany<br \/>\n2015 First Prize, Seiko University Public Art Competition &#8211; Seiko University \/ Tainan City, Taiwan<br \/>\n2011 First Prize, Ilan University Public Art Competition &#8211; Ilan University \/ Ilan City, Taiwan<br \/>\n2000 First Prize, Echigo-Tsumari Art Triennial 2000 Project Competition<\/p>\n<p><strong>[Artist in Residence]<\/strong><br \/>\n2025 International Residency Program \/ No. 97 West District International Art Community \/ Quanzhou, China<br \/>\n2024 A4 Residency Program \/ A4 Art Center \/ Chengdu, China<br \/>\n2019 MAMMA Project \/ Sejong Art Center \/ Sejong, Korea<br \/>\n2019 GlogauAIR \/ Berlin, Germany<br \/>\n2018 Srishti Institute of Art, Design and Technology (Interim Program)\/ Bangalore, India \/ Fellow of Japan Foundation<br \/>\n2012 FLYOVER\/ YOKOHAMA MANILA \/ 98B Collaboratory \/ Manila, Philippines \/ Fellow of Pola Art Foundation, Japan Foundation<\/p>\n<p><strong>[Solo Exhibitions]<\/strong><br \/>\n2025 Time and Box \u2013 No. 97 West District International Art Community\/ Quanzhou, China<br \/>\n2023 Now and Things \/ eitoeiko \/ Tokyo<br \/>\n2021 I saw a landscape \/ bononkyoto + KYOTOGRAPHIE KG+ \/ Kyoto<br \/>\n2020 I saw a landscape \/ void+\/ Tokyo<br \/>\n2019 Landscape Erosion \/ GlogauAIR Showcase \/ Berlin, Germany<br \/>\n2018 Portrait of Erosion \/ Rangoli Metro Art Center\/ Bangalore, India<br \/>\n2015 Unnamed Country \/ TRAUMARIS\/SPACE\/ Tokyo<br \/>\n2010 Breeze \/ Window \/ Yokohama Government Office\/ Yokohama, Kanagawa<br \/>\n2009 And the Rivers Flow \/ Kogane-cho Area Management Center\/ Yokohama, Kanagawa<br \/>\n2007 Breeze \/ 4 Flags \/ Gallery Caption\/ Gifu<br \/>\n2006 Breeze \/ Statement \/ Gallery Caption\/ Gifu<br \/>\n2005 Horizon &#8211; Gallery Gen\/ Tokyo<br \/>\n2004 Around &#8211; La Galerie des NAKAMURA\/ Tokyo<br \/>\n2003 Focusing on a New Generation in Tokyo 2003 &#8211; Gallery Gen\/ Tokyo<br \/>\n2001 Window Installation &#8211; Desperado\/ Tokyo<br \/>\n2001 Chattering &#8211; Gallery Gen\/ Tokyo<br \/>\n1999 Pass &#8211; Gallery Gen\/ Tokyo<br \/>\n1998 There &#8211; Gallery Gen\/ Tokyo<br \/>\n1997 Rope &#8211; Gallery Gen\/ Tokyo<br \/>\n1996 Pin &#8211; Gallery Gen, ZA MOKA FOUNDATION\/ Tokyo<br \/>\n1993 Diary &#8211; Yokohama Galleria\/ Kanagawa<\/p>\n<p><strong>[Selected Group Exhibitions]<\/strong><br \/>\n2026 Encounter \/ Shift \/ Create-2025 International Exchange Program Dispatch Report Exhibition<br \/>\n\/ Site-A Gallery Beneath the Railways \/ Yokohama, Kanagawa<br \/>\n2024 Community Memories \/ No. 97 District \/Quanzhou, China<br \/>\nRE CREATE\/ CPI\/ Chengdu, China<br \/>\nKogane-cho Bazaar 2024 \/ Yokohama, Kanagawa<br \/>\n[VOID+STOCK] Exhibition, Part 2 \/ void+\/ Tokyo<br \/>\n2022 Extreme Cold Art Festival 2022 \/ Teshikaga-cho, Hokkaido<br \/>\n2021 Cherry Blossom Party \/ eitoeiko \/ Tokyo<br \/>\nExtreme Cold Art Festival 2021 \/ Teshikaga-cho\/ Hokkaido<br \/>\n2020 Seeing through the Invisible \/ Tennozu Central Tower Art Hall\/ Tokyo<br \/>\nExtreme Cold Art Festival 2020 \/ Teshikaga-cho\/ Hokkaido<br \/>\n2019 Chennai Photo Biennale \/ Chennai, India<br \/>\nExtreme Cold Art Festival 2019 \/ Teshikaga-cho\/ Hokkaido<br \/>\n2018 Teshikaga Gokkan Art Festival \/ Teshikaga-cho\/ Hokkaido<br \/>\n2017 Air Real &#8211; Kawaguchi Civic Art Gallery Ateria \/ Saitama<br \/>\nYoung Art Nagaoka \/ Nagaoka\/ Niigata<br \/>\n2016 Teshikaga Gokkan Art Festival \/ Teshikaga-cho\/ Hokkaido<br \/>\n2014 Echigo-tsumari Snow Art Festival \/ Echigo-Tsumari\/ Niigata<br \/>\n2013 Setouchi Triennial 2013\/ Kagawa, Okayama<br \/>\n2012 Echigo-tsumari Art Triennial 2012 \/ Echigo-Tsumari\/ Niigata<br \/>\n2011 AOBA+ART \/ Yokohama, Kanagawa<br \/>\nKogane-cho Bazaar 2011\/ Yokohama, Kanagawa<br \/>\n2010 Echigo-tsumari Snow Art Festival \/ Echigo-Tsumari\/ Niigata<br \/>\n2009 Echigo-tsumari Art Triennial 2009 \/ Echigo-Tsumari\/ Niigata<br \/>\nSUITO Osaka 2009\/ Osaka<br \/>\nTAMAVIVANT 09 &#8211; Tama Art University\/ Tokyo<br \/>\n2008 AOBA+ART\/ Yokohama, Kanagawa<br \/>\nKogane-cho Bazaar\/ Yokohama, Kanagawa<br \/>\n2007 Happy Hours &#8211; Zaim underground\/ Yokohama, Kanagawa<br \/>\n2006 Echigo-tsumari Art Triennial 2006 \u2012 Echigo-Tsumari\/ Niigata<br \/>\n2004 A MUSE LAND 2004 &#8211; Hokkaido Museum of Modern Art\/ Hokkaido<br \/>\n2003 Echigo-tsumari Art Triennial 2003 \u2012 Echigo-Tsumari\/ Niigata<br \/>\n2001 Aoba Triennial 2001 &#8211; Aoba-ku\/ Yokohama, Kanagawa<br \/>\n2000 Echigo-tsumari Art Triennial 2000 \u2012 Echigo-Tsumari\/ Niigata<br \/>\n1999 Japan Art Scholarship \/ Spiral Hall \/ Tokyo<br \/>\n1996 Morphe \u201896 \u2013 Aoyama, Tokyo<br \/>\n1995 Miyazawa Kenji Kaigakan \/ Mitsukoshi Museum\/ Tokyo<br \/>\n1992 Encountering the others \/ Kassel, Hann. M\u00fcnden, Germany<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[Artist Statement] Jun Homma\u2019s work explores the relationship between visible and invisible elements that shape our perception of the world. Growing up in a suburban area near Tokyo during a period of rapid urban development, he witnessed landscapes constantly changing and leaving behind traces of memory and absence. These experiences became the starting point for&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_locale":"en_US","_original_post":"3638"},"_links":{"self":[{"href":"https:\/\/junhomma.com\/wp-json\/wp\/v2\/pages\/3905"}],"collection":[{"href":"https:\/\/junhomma.com\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/junhomma.com\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/junhomma.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/junhomma.com\/wp-json\/wp\/v2\/comments?post=3905"}],"version-history":[{"count":28,"href":"https:\/\/junhomma.com\/wp-json\/wp\/v2\/pages\/3905\/revisions"}],"predecessor-version":[{"id":6078,"href":"https:\/\/junhomma.com\/wp-json\/wp\/v2\/pages\/3905\/revisions\/6078"}],"wp:attachment":[{"href":"https:\/\/junhomma.com\/wp-json\/wp\/v2\/media?parent=3905"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}